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Debord, Guy (1931-1994) | |
 | Katalog / Kultura / Umjetnost / Knjiѕevnost / French Language Literatures / French Literature / French Literature: XX cent. / Debord, Guy (1931-1994) |
| Katalog / Kultura / Filozofija / Trends in Philosophy / Anarchism / Po autorima / Debord, Guy (1931-1994) |
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Guy Debord
In French La Societe du Spectacle The archives of Situationist International English translation The Society of Spactacle and his first film Hurlements en faveur de Sade. The Spectacle of Secrecy, the article by Len Bracken Cyberspace and the Lonely Crowd Heart & Mastermind of Situationists Destroyed with biography. We Go Round and Round in the Night and Are Consumed by Firethe analysis of the film of Debord "In Girum Imus Nocte Et Consumimurm Igni" by Stephen Pfohl. [eng] |
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BOOKAP :: Библиотека психологической литературы
Ги Дебор. Общество спектакля. [rus] |
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Ги Дебор. Общество Спектакля.
30 ноября 1994 года в маленькой деревне в Оверни, без двух дней месяц не дожив до своего 63-летия покончил с собой ( как покончили с собой вскоре после него Мец и Делез) Ги-Эрнест Дебор "писатель, стратегический мыслитель и авантюрист", как он сам себя определял. [rus] |
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Дебор Ги
(1931-1994) - французский мыслитель и общественный деятель. Критик капитализма и сторонник марксистского подхода к обществу и истории (который по-своему интерпретировал). В работе "Общество спектакля" (1967), пришел к выводу о том, что современное общество является глобальным шоу, в котором все виды социальной деятельности (власть, политика, знание, общественные движения и т.д.) имеют форму представления, не связанного с подлинной реальностью. [rus] |
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Guy Debord: Die Gesellschaft des Spektakels
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The Situationist International Text Library
by Stephan Pfohl - We Go Round and Round in the Night and Are Consumed by Fire [eng] |
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DEBORD, Guy, La Societe du spectacle.
A pristine copy of this scarce highspot of post-war social criticism, the major work by the most important Situationist, a movement which gained its greatest notoriety when its slogans began to appear on Paris walls and buildings during the 1968 student protests. In an era of the seemingly worldwide ascendency of neoconservatism and multinational capital, it is not hard to imagine why Debord has joined Gilles Deleuze as one of the recent suicides amongst the elite of French theorists who came to prominence during the social convulsions and revolutionary dreams of the 60s. Fine in original white printed wraps, rear cover illustrated with author's photo, with publisher's green wraparound band ( [eng] |
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Chainthinker: Situationist
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Ги Дебор ОБЩЕСТВО СПЕКТАКЛЯ
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The Society of the Spectacle (Guy Debord)
New Translation of Guy Debord's THE SOCIETY OF THE SPECTACLE. [eng] |
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nothingness.org - SI - Debord
Self-proclaimed leader of the Situationist International, Guy Debord was certainly responsible for the longevity and high profile of Situationist ideas, although the equation of the SI with Guy Debord would be misleading. Brilliant but autocratic, Debord helped both unify situationist praxis and destroy its expansion into areas not explicitly in line with his own ideas. His text The Society of the Spectacle remains today one of the great theoretical works on modern-day capital, cultural imperialism, and the role of mediation in social relationships. [eng] |
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Guy Debord
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The Economist: The SI & Guy Debord
Of all the ideological "isms" competing for Parisian students' attention in the heady days of May 1968, none was more pervasive than situationism [eng] |
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Guy Debord and the Situationists
They originated in a small band of avante-garde artists and intellectuals influenced by Dada, Surrealism and Lettrism. The post-war Lettrist International, which sought to fuse poetry and music and transform the urban landscape, was a direct forerunner of the group who founded the magazine Situationiste Internationale in 1957. At first, they were principally concerned with the "suppression of art", that is to say, they wished like the Dadaists and the Surrealists before them to supersede the categorization of art and culture as separate activities and to transform them into part of everyday life. Like the Lettrists, they were against work and for complete _divertissement_. [eng] |
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Debord: Assimilated!
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Bracken:The Spectacle Of Secrecy
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Guy Debord: Timeline of events.
by Len Bracken [eng] |
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