MavicaNET - Drammaturgia

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A À B C D E É È F G H I Í Ì Ï J K L M N O Ó Ò P Q R S T U Ú Ù V W X Y Z #

Addison, Joseph (1672-1719) [12]	Goldoni, Carlo (1707-1793) [11]	Sachs, Hans (1494-1576) [6]
Aeschylus (c. 525-456 B.C.) [59]	Gozzi, Carlo (1720 - 1806) [0]	Schiller, Johann Christoph Friedrich von (1759-1805) [37]
Aristophanes (c. 448-385 B.C.) [85]	Griboedov, Alexander (1795 -1829) [10]	Scribe, Augustin Eugene (1791–1861) [6]
Brecht, Bertolt (1898–1956) [26]	Hugo, Victor (1802-1885) [21]	Shaffer, Peter (1926- ) [9]
Calderon de la Barca y Henao, Pedro (1600-1681) [21]	Ibsen, Henrik (1828-1906) [15]	Shakespeare, William [59]
Chapman, George (1559-1634) [9]	Jonson, Ben (1572-1637) [15]	Shaw, George Bernard (1856-1950) [21]
Chekhov, Anton (1860-1904) [11]	Kalidasa [4]	Sheridan, Richard Brinsley (1751–1816) [18]
Congreve, William (1670-1729) [6]	Lessing, Gotthold Ephraim (1729-1781) [13]	Sophocles (c. 497-406 B.C.) [12]
Corneille, Pierre (1606-1684) [12]	Lorca, Federico Garcia (1898-1936) [18]	Stoppard, Tom (1937- ) [5]
Dryden, John (1631-1700) [25]	Marlowe, Cristofer (1564-1593) [15]	Synge, John Millington (1871–1909) [14]
Eliot, Thomas Sterns (1888-1965) [35]	Moliere (Poquelin), Jean-Baptiste (1622-1673) [12]	Terence (c. 190-158 B.C.) [5]
Euripides (c. 485-406 B.C.) [57]	Molina, Tirso de (1571-1648) [9]	Toller, Ernst (1893-1939) [7]
Filippo, Eduardo de (1900–1984) [8]	Osborne, John [6]	Vega Carpio, Lope Felix de (1562–1635) [24]
Galsworthy, John (1867-1933) [25]	Ostrovsky, Alexander (1823-1886) [7]	Williams, Tennessee (1911–1983) [5]
Giraudoux, Jean (1882-1944) [13]	Plautus, Titus Maccius (c. 254-184 B.C.) [10]
Goethe, Johann Wolfgang (1749-1832) [25]	Racine, Jean (1639-1699) [17]

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Greek Theatre Index
Index of articles on ancient Greek Theatre. [eng]

Îñêàð Óàéëä. Îñêàð Óàéëüä. Oskar Wilde. Áèîãðàôèÿ.
Îñêàð Óàéëüä (Wilde): öèòàòû, àôîðèçìû, áèîãðàôèÿ [rus]

Óèëüÿì Ãîëäèíã
(1911-1993) - àíãëèéñêèé ïèñàòåëü, ïîýò, äðàìàòóðã, ýññåèñò, ëàóðåàò Áóêåðîâñêîé, Íîáåëåâñêîé (1983) ïðåìèé. Ãîëäèíã ñòàë øèðîêî èçâåñòåí ïîñëå âûõîäà ðîìàíà "Ïîâåëèòåëü ìóõ" (1954), â êîòîðîì îí ïîñòàâèë ïðîáëåìó, ñòàâøóþ îäíîé èç âåäóùèõ âî âòîðîé ïîëîâèíå ÕÕ ñòîëåòèÿ: ïî÷åìó ÷åëîâåê, îáúÿâëÿþùèé ñåáÿ íîñèòåëåì êóëüòóðíîãî íàñëåäèÿ öèâèëèçàöèè, â ïîãðàíè÷íûõ ñèòóàöèÿõ ìãíîâåííî ïðåâðàùàåòñÿ â çâåðÿ, áåçæàëîñòíîãî è íåìèëîñåðäíîãî. [rus]

Creative Quotations from John Galsworthy (1867-1933)
John Galsworthy in quotations to inspire creative thinking [eng]

Ïüåð Îãþñòåí Áîìàðøå (Êàðîí) (Pierre Augustin Beaumarchais (Caron))
Êðóïíåéøèé ôðàíöóçñêèé äðàìàòóðã âòîðîé ïîëîâèíû 18 â. Ðîäèëñÿ 24 ÿíâàðÿ 1732 â Ïàðèæå, â ñåìüå áîãàòîãî ÷àñîâùèêà. Îáó÷àëñÿ ñåìåéíîìó ðåìåñëó, îäíàêî çà ýêñòðàâàãàíòíûå âûõîäêè îòåö îòñòðàíèë åãî îò äåë. Còàâ ó÷èòåëåì ìóçûêè ó äî÷åðåé Ëþäîâèêà XV, îí ïîçäíåå ïðèîáðåë äîëæíîñòü ñåêðåòàðÿ ïðè ìîíàðõå è áëàãîäàðÿ ïðèäâîðíûì ñâÿçÿì ïðèíÿë àêòèâíîå ó÷àñòèå â ðàçíîîáðàçíûõ ôèíàíñîâûõ îïåðàöèÿõ, êîòîðûå ïðèíåñëè åìó ãðîìàäíîå ñîñòîÿíèå è îäíîâðåìåííî âîâëåêëè â öåëûé ðÿä ãðîìêèõ ñóäåáíûõ ïðîöåññîâ. [rus]

Plays
Êîëëåêöèÿ òåêñòîâ ðóññêèõ è çàðóáåæíûõ äðàìàòóðãîâ èç áèáëèîòåêè Ìàêñèìà Ìîøêîâà. Íà ðóññêîì ÿçûêå. [rus]

Äåíè Äèäðî
Ó÷åíûé, ïèñàòåëü è ïóáëèöèñò, îðãàíèçàòîð è îäèí èç âåäóùèõ àâòîðîâ ïðîñëàâëåííîé "Ýíöèêëîïåäèè íàóê, èñêóññòâ è ðåìåñåë", ïîäãîòîâèâøåé óìû ê Âåëèêîé ôðàíöóçñêîé ðåâîëþöèè, Äèäðî çàòðîíóë ïî÷òè âñå ñôåðû êóëüòóðíîé æèçíè ñâîåãî âðåìåíè. Ëèòåðàòóðà, òåàòð, æèâîïèñü - ëèøü îäíà èç ìíîãî÷èñëåííûõ îáëàñòåé, êîòîðûìè îí çàíèìàëñÿ è êàê òåîðåòèê, è îò÷àñòè êàê ïðàêòèê - äðàìàòóðã, àâòîð ðèñóíêîâ äëÿ ñòàòåé â "Ýíöèêëîïåäèè". [rus]

Comedy and Tragedy
Resources on the ancient Greek and Roman dramatists, particularly the great tragedians, Aeschylus, Sophocles and Euripides, and the great comic playwrights, Aristophanes, Plautus and Terence. [eng]

Oscar Wilde (1854-1900)
A brief biographical note on the Irish-born dramatist. [eng]

Ñèðàíî äå Áåðæåðàê (Cyrano de Bergerac)
Ôðàíöóçñêèé ïèñàòåëü è äðàìàòóðã, îáðåòøèé áåññìåðòèå, âïðî÷åì, íå áëàãîäàðÿ ñâîèì ïðîèçâåäåíèÿì, à áëàãîäàðÿ äðóãîìó äðàìàòóðãó, Ýäìîíó Ðîñòàíó, êîòîðûé íàïèñàë ïüåñó î åãî æèçíè, èäóùóþ ñåé÷àñ âî âñåõ òåàòðàõ ìèðà. [rus]

Existentialism and Samuel Beckett
Katharena Eiermann's tribute to existentialism, Samuel Beckett and the Theatre of the Absurd. Site includes biography, essays, articles, photos, quotes and links to related sites on the WWW. [eng]

MWP: Tennessee Williams (1911-1983)
Biography with photoes, list of Publications from the University of Mississippi Special Collections holdings. [eng]

Marcel, Gabriel
French philosopher, dramatist, and critic, b. Paris. A leading Christian existentialist, he became a Roman Catholic in 1929. He called himself a “concrete philosopher,” indicating a reaction to his early idealism. He saw philosophy not as formulation of a system but rather as a personal reflection on the human situation. He held that the philosopher must be engagé, or personally involved, because existence and the human person are more significant than any abstraction. [eng]

Äðàìàòóðãèÿ.
Íà "Òåàòðàëüíûõ ñòðàíèöàõ" ñòðàíè÷êà æóðíàëà "Äðàìàòóðã". Òåêñòû êëàññè÷åñêèõ è ñîâðåìåííûõ ðóññêèõ àâòîðîâ. Ñòðàíèöà Àíòîíà ×åõîâà, ïîëíîå ñîáðàíèå åãî ïüåñ. [rus]

Fielding, Henry
(1707-1754) British writer. A highly successful satiric dramatist turned novelist with novels like Tom Jones, his most well-known novel. [eng]

Ìàðãèíàëû âå÷íîñòè, èëè Ìåæäó “÷åðíóõîé” è ñâåòîì.
Ñòàòüÿ Íàóìà Ëåéäåðìàíà î äðàìàòóðãèè Íèêîëàÿ Êîëÿäû. [rus]

ÔÈËÄÈÍÃ, ÃÅÍÐÈ
(1707–1754), àíãëèéñêèé ðîìàíèñò è äðàìàòóðã, ïóáëèöèñò. Ðîäèëñÿ 22 àïðåëÿ 1707, ïðåäïîëîæèòåëüíî â Øàðïåì-Ïàðêå (ãðàôñòâî Ñîìåðñåòøèð). Îòåö åãî áûë ðîäîâèòûì äâîðÿíèíîì, ñëóæèë â àðìèè, â 1711 âûøåë â îòñòàâêó â ãåíåðàëüñêîì çâàíèè. Äî äâåíàäöàòè ëåò Ãåíðè ïî ïðåèìóùåñòâó æèë â Èñò-Ñòàóðå (ãðàôñòâî Äîðñåòøèð), áîãàòîì èìåíèè äåäà ñ ìàòåðèíñêîé ñòîðîíû, ÷ëåíà Ñóäà êîðîëåâñêîé ñêàìüè. Ó÷èëñÿ â Èòîíå (1719–1725) è Ëåéäåíñêîì óíèâåðñèòåòå (1728–1730). [rus]

Fiddler on the Roof
From stage to screen: differences between the original and film versions of famous musicals. [eng]

Ìèëîðàä Ïàâè÷. Âå÷íîñòü è åùå îäèí äåíü.
Ìåíþ äëÿ òåàòðàëüíîãî óæèíà. Ïüåñà. Ïåðåâîä ñ ñåðáñêîãî Í. ÂÀÃÀÏÎÂÎÉ è Ë. ÑÀÂÅËÜÅÂÎÉ. Ñòàòüÿ ßñìèíû Ìèõàéëîâè÷ "Ïðîçà Ìèëîðàäà Ïàâè÷à è ãèïåðòåêñò". [eng]

Anderson, Maxwell
American dramatist, b. Atlantic, Pa., grad. Univ. of North Dakota, 1911. His plays, many of which are written in verse, usually concern social and moral problems. Anderson was a journalist until the successful production in 1924 of What Price Glory?, a war drama written with Laurence Stallings. Winterset (1935), based on the Sacco-Vanzetti case, is probably Anderson's most successful verse tragedy. [eng]

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